Welcome to California Jane (via Fernando Maclen)
Welcome to California Jane (via Fernando Maclen)
“‘Singing Sentinels’ by London-based architect Liam Young of Tomorrows Thoughts Today explores a future scenario where bio-engineered birds once again monitor the air for us.”
Silent Spring: A climate Change Acceleration Performance, Liam Young (See also “A Field Guide to the Singing Sentinels”, both items via Tim Maly)
A photo (1890) by Thomas William Smillie, photographer at the Smithsonian Institution, from this collection (via @atlin__)
Drawings and embroidery by Ana Teresa Barboza (via booooooom)
My friend Jen Lowe recently announced the School for Poetic Computation.
Our motto is: more poems less demos.
While theirs is a specific craft, the mission statement of SfPC has wide applicability to all places of learning. For example, in the following paragraph, substitute writer with any other creative role.
We are interested in craft, and the idea that every writer needs space and time to hone their trade. Our school aims to provide a safe haven – so you could get acquainted with the craft at your own pace, make it your own, find that part between your true creative process and the craft. This takes time, encouragement, the right push at the right time, conversations with colleagues, and more time.
Read the rest of the mission — that all schools embody the sensibilities contained in those last four paragraphs.
“Think about it this way. We have 7,000 languages. Each of these languages encompasses a world-view, encompasses the ideas and predispositions and cognitive tools developed by thousands of years of people in that culture. Each one of those languages offers a whole encapsulated universe. So we have 7,000 parallel universes, some of them are quite similar to one another, and others are a lot more different. The fact that there’s this great diversity is a real testament to the flexibility and the ingenuity of the human mind. The fact that we’re able to take so many different perspectives and create such an incredibly diverse set of ways of looking at the world, that is something first to be celebrated, but also something to learn from: flexibility and diversity are at the very heart of what makes us human and what makes us so smart. I think the more we understand how people are able to take all these different perspectives, and able to change the way they think, the better we’ll understand the nature of being human.”
“Jean Tinguely on ‘Art’” (via SFPC)
Way Out, Brad Eberhard, 2013 (via “Brad Eberhard – History, process and metaphor in (dis/solve) at Tom Solomon”)
This is Eike König of Hort speaking at the Walker Art Center as part of the Insights 2013 Design Lecture Series. See also “Designers on Site: Eike König” on the Walker blog. As noted before in some of the other posts I’ve tagged ‘Hort’, König and Hort are as much about learning and education as they are about design.